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Twilight and evening, three ways

Tuesday · August 4, 2026 · Henry Wadsworth Longfellow's poem 'The Day is Done,' Frederic Edwin Church's painting Twilight in the Wilderness, and Utagawa Hiroshige's woodblock print Fireworks at Ryogoku — three works gathered under the theme of twilight and evening.
I · Poem

The Day is Done

Henry Wadsworth Longfellow

‘The Day is Done’ is a lyric poem of eleven quatrains (forty-four lines) by the American poet Henry Wadsworth Longfellow, written in 1844 and first published as the introductory poem to his collection The Belfry of Bruges and Other Poems (1845).[1] Its opening stanzas describe nightfall over a village seen through rain and mist, after which the speaker asks a companion to read aloud a poem by a humble writer rather than by the grand old masters.[1]

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o’er me
That my soul cannot resist:
A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.
Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.
Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.
For, like strains of martial music,
Their mighty thoughts suggest
Life’s endless toil and endeavor;
And to-night I long for rest.
Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;
Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.
Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.
Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.
Henry Wadsworth Longfellow · from The Belfry of Bruges and Other Poems (1845); text via the Academy of American Poets (Poets.org)
About the maker
Henry Wadsworth Longfellow (1807–1882) was an American poet, born in Portland, Maine.[2]
He graduated from Bowdoin College in 1825, where Nathaniel Hawthorne was a classmate.[3]
He taught modern languages at Bowdoin and then held the Smith professorship at Harvard from 1836 to 1854.[3]
His major works include Evangeline (1847), The Song of Hiawatha (1855), and ‘Paul Revere’s Ride’ (1860).[3]
He died in Cambridge, Massachusetts, in 1882 and became the first American poet commemorated with a bust in Poets’ Corner, Westminster Abbey.[3]
II · Painting

Twilight in the Wilderness

Frederic Edwin Church

Twilight in the Wilderness is an oil-on-canvas landscape painting made by the American artist Frederic Edwin Church in 1860.[1] It measures 101.6 × 162.6 cm and is held by the Cleveland Museum of Art, which has released it under an open-access public-domain designation.[1] A setting sun colours banded altocumulus clouds in purples, oranges and yellows above dark wooded hills; a tree stump stands in the foreground, three trees frame the scene at right, a small bird is perched on a branch at the left, and no human figures are present.[2]

A wilderness at sunset: a sky banded with purple, orange and yellow clouds glows above dark forested hills, with a tree stump in the foreground, trees framing the right side, and a small bird perched on a branch at the left.
Frederic Edwin Church, Twilight in the Wilderness, 1860. Oil on canvas, 101.6 × 162.6 cm. Cleveland Museum of Art (1965.233).[1]
About the maker
Frederic Edwin Church (1826–1900) was an American landscape painter, born in Hartford, Connecticut.[3]
From 1844 to 1846 he studied with Thomas Cole, the founder of the Hudson River School.[3]
His large exhibition landscapes include Niagara (1857), The Heart of the Andes (1859), and The Icebergs (1861).[3]
Inspired by the writings of Alexander von Humboldt, he travelled to South America, and later to the Arctic, Europe, and the Near East.[3]
He built a Persian-style house named Olana overlooking the Hudson River near Hudson, New York, and died in 1900.[3]
III · Woodblock Print

Fireworks at Ryōgoku (Ryōgoku hanabi)

Utagawa Hiroshige

Fireworks at Ryōgoku (Ryōgoku hanabi) is a colour woodblock print (nishiki-e) designed by the Japanese artist Utagawa Hiroshige and published in the eighth month of 1858 as No. 98 in his series One Hundred Famous Views of Edo.[1] The Brooklyn Museum impression measures about 34 × 22.5 cm (image).[1] The print shows a dark night sky over the Sumida River in which fireworks burst above Ryōgoku Bridge, the bridge crowded with small figures and roofed pleasure boats gathered on the water below.[2]

A summer night on the Sumida River: multi-coloured fireworks burst in the dark sky above Ryogoku Bridge, which is packed with tiny figures, while roofed pleasure boats crowd the water below.
Utagawa Hiroshige, Fireworks at Ryōgoku (Ryōgoku hanabi), No. 98 from One Hundred Famous Views of Edo, 1858. Colour woodblock print, image 34 × 22.5 cm. Brooklyn Museum (30.1478.98).[1]
About the maker
Utagawa Hiroshige (1797–1858), born Andō Tokutarō in Edo (present-day Tokyo), was a Japanese ukiyo-e print designer.[3]
The son of a fire-brigade official, he trained in the Utagawa school under Utagawa Toyohiro.[3]
He is best known for landscape series, among them The Fifty-three Stations of the Tōkaidō (c. 1833–34).[3]
One Hundred Famous Views of Edo, made in 1856–58, comprises more than one hundred vertical landscape prints of the city and its surroundings.[3]
His prints were admired by European artists such as Vincent van Gogh, who painted copies of them; Hiroshige died in Edo in 1858.[3]